Wednesday, February 17, 2010
In Memorium: James Reynolds 1926 - 2010
“Art cannot be casual. I have learned the value of discipline and hard work, and that doing it right takes time. I have discarded set patterns and formulas. My approach to painting changes, although I realize the need to be bold, rather than tentative. I also appreciate that there are both technical and emotional considerations in the creation of worthwhile art.”
- James Reynolds
It was an honor and a privilege for The Greenwich Workshop
to have published the work of this contemporary western artist.
James Reynolds was born in a Standard Oil lease house in 1926 and raised in Taft, California. As a boy, he spent summers at his grandmother’s Nevada City hotel, which was situated just beyond the infamous Donner Pass and literally above the south fork of the Yuba River, supported by stilts. In Nevada City he experienced firsthand the remnants of the Old West and heard the stories of that time.
Although he dabbled with drawing during grade school, Reynolds didn’t investigate it seriously until after World War II. The trip home from China was a long and boring one; luckily, the sailor on the bunk beside him had a painting kit. Reynolds took to it immediately and, upon returning to America, enrolled in the Kahn Institute of Art in Beverly Hills. Reynolds soon found work in Hollywood. For almost two decades, he sketched storyboards and sets for most of the major studios. Finally, after a particularly grueling assignment designing and helping to apply a body of tattoos for the film version of The Illustrated Man, he moved to Sedona, Arizona, and never looked back.
Reynolds is considered to be one of the finest artists of the Western experience. He was a member of the National Academy of Western Art (NAWA) and of the Cowboy Artists of America. In 1992, for his painting Arizona Cowboys, NAWA awarded Reynolds the Gold Award for Oil Painting, the Nona Jean Hulsey Buyer’s Choice Award, and the Prix de West. Reynolds’ other honors include Gold Awards from NAWA, and, from the Cowboy Artists of America, gold medals for best oil painting, Colt Awards, two George Phippen Memorial Awards and the Thomas Moran Memorial Award at the Autry National Center's "Masters of the American West Exhibition".